Formations

A formation is the shape the dancers make — where everyone is standing and which way they are facing. Every call has a starting formation and an ending formation, and getting them right is most of the battle.

This page defines the formations the 2026 Mainstream program uses. Each one says what it looks like and how you get into it.

Squared Set and Static Square

The Squared Set is eight dancers in four couples on the four sides of a square, facing in.

A Static Square is the same arrangement, named as a formation rather than as a state of sequence. The manual distinguishes them: the Static Square is the shape, and the Squared Set is the shape in sequence. See Sequence and relationship.

A squared set: eight dancers, four couples, all facing in.
A squared set: eight dancers, four couples, all facing in.

This is home, and every tip starts and finishes here.

Circle

An Infacing Circle of 8 is the eight of you standing in a ring, hands joined, all facing the centre. From a squared set it takes one command — "Join hands, circle left" — and the ring then travels round the middle of the set, left or right.

The Circle Rule says what a call starting from Facing Couples means when it is given from a circle; the calls themselves are in the circle family.

Promenade

A Promenade is a couple walking round the centre of the set in promenade hold — the Boy's left hand joined to the Girl's left hand in front of the pair. The whole set travels as one stream, all the same way round, and "Promenade Home" means stop where the Boy started.

The hold, the footwork and the timing are in the Promenade family; which way round is promenade direction.

Facing Dancers

Two dancers directly facing each other. That is all it means, unless the call says otherwise.

Facing Dancers is the starting formation for calls like Pass Thru, Dosado and Star Thru.

Some calls are more specific: Star Thru needs a Boy facing a Girl, because the call is built on that handhold. The manual writes it as "Facing Dancers (Man facing Woman)".

Facing Couples

Two couples facing each other — four dancers, two and two, in two lines facing inwards. Also called an "Infacing Facing Couples" arrangement.

Facing Couples: two couples facing each other.
Facing Couples: two couples facing each other.

From a squared set you get there by the Heads or Sides stepping forward. It is the starting formation for a great many calls, including Right and Left Thru and Star Thru.

Eight Chain Thru

An Eight Chain Thru is two couples facing each other with their Boys on opposite sides of the pair. Because the couples are set that way rather than as mirror images, each dancer looks at a dancer of the opposite role — Boys at Girls — instead of at their opposite number, and each pass across takes you on to the next couple round the square.

A Lead Right makes one out of a squared set, and Trade By finishes in one. From there the next call is usually Right and Left Thru or a Square Thru.

Couple

Two adjacent dancers facing the same way. Not a formation you dance from so much as a shape you finish in — Star Thru ends in a couple.

Variants, which matter because calls depend on them:

NameWhat it is
Normal CoupleBoy on the left, Girl on the right
Sashayed Couple (Half-Sashayed)Girl on the left, Boy on the right
Same-Gender Coupletwo Boys, or two Girls
Tandem Couplea couple, one behind the other

See Arrangements and gender.

Tandem

A Tandem is two dancers in single file — one directly behind the other, both facing the same way. Two tandems facing each other are Facing Tandems; two tandems back to back are Back-to-Back Tandems. The manual uses those names as the starting and ending formations of Double Pass Thru.

A couple in single file is a Tandem Couple, and is the shape Zoom and Dive Thru finish in.

Back-to-Back Couples

Back-to-Back Couples are two couples standing back to back, each couple facing the couple in front of it. Veer Left / Veer Right finishes there from a Two-Faced Line, and it is where a Square Thru ends.

Two dancers can be back to back in the same way, each facing away from the other — that is what you are after a Pass Thru in Pass the Ocean.

Lines

Dancers in a line are shoulder to shoulder, in one or more rows.

LineWhat it is
Facing Linestwo lines facing each other, four dancers each
Back-to-Back Linestwo lines back to back
Normal Lineslines in which every couple is Normal
Lines Facing Outlines with the dancers facing away from each other — used by Boys Fold and Girls Fold
One-Faced Linesall dancers in the line facing the same direction (a line, not two lines)
Two-Faced Linestwo lines back to back, each facing outward
Inverted Linesa line with the Ends facing out and the Centers facing in
Tidal Line (Tidal Wave)a line of eight — two facing four facing two
Normal Lines: two facing lines, every couple Normal.
Normal Lines: two facing lines, every couple Normal.
Lines Facing Out: the dancers face away from each other.
Lines Facing Out: the dancers face away from each other.
Inverted Lines: the Ends face out, the Centers face in.
Inverted Lines: the Ends face out, the Centers face in.
Two-Faced Lines: two lines back to back, each facing outward.
Two-Faced Lines: two lines back to back, each facing outward.
A Tidal Wave: two facing four facing two.
A Tidal Wave: two facing four facing two.

In an eight-dancer line the words "Centers" and "Ends" are ambiguous, because there are two possible centre pairs. Callers say "Each Side, Centers" or "Center Four" to be precise. See Naming the dancers.

Waves

An Ocean Wave is a line of dancers alternating facing direction, joined by hands — typically right hands. Dancers in a wave are Centers and Ends regardless of facing.

A Mini-Wave: two dancers facing opposite ways, right hands joined.
A Mini-Wave: two dancers facing opposite ways, right hands joined.
An Ocean Wave: four dancers alternating facing direction.
An Ocean Wave: four dancers alternating facing direction.
WaveWhat it is
Right-Hand Waveadjacent dancers joined by right hands
Left-Hand Waveadjacent dancers joined by left hands
Mini-Wavea wave of two — the simplest case, two dancers facing opposite ways
Ocean Wavea wave of four or more
Tidal Wavea wave of eight
Alamo Ringa ring of dancers all facing the centre, in Alamo Style

Waves are where the Facing Couples Rule and the Ocean Wave Rule earn their keep: they let certain calls start from the "wrong" member of the wave/facing-couples pair.

Columns

Dancers in two or more lines of four, one behind the other, facing along the column. A column of eight is two columns of four side by side.

A Column: dancers one behind the other, facing along the column.
A Column: dancers one behind the other, facing along the column.

Single File means a column of one — the dancers in a line, one behind the other.

Box

Four dancers in a two-by-two arrangement, most often two couples facing each other (a box of four). Leaders face out of the box and Trailers face into it.

A Box: two couples facing each other.
A Box: two couples facing each other.

Boxes appear inside larger formations constantly; "Box Circulate" is a call about moving within one.

Diamond

Four dancers on the four points of a diamond — a Centre and three Points, or an End and three Centres depending on how you count. Diamonds are mostly a Plus-level formation, but you will meet them in the Mainstream circulate family descriptions.

A Diamond: four dancers on the four points.
A Diamond: four dancers on the four points.

Alamo and Thar

Alamo Style: a ring of dancers all facing the centre.
Alamo Style: a ring of dancers all facing the centre.
A Thar: an Alamo Ring with the arms crossed in the middle.
A Thar: an Alamo Ring with the arms crossed in the middle.

Tag formations

A tag formation is what a line becomes when it is "tagged" — folded into a two-by-two box arrangement with the dancers in a particular order. The names you will meet:

A Quarter Tag formation.
A Quarter Tag formation.
A 3/4 Tag formation.
A 3/4 Tag formation.

Double Pass Thru

Two side-by-side Facing Tandems are a Double Pass Thru; two side-by-side Back-to-Back Tandems are a Completed Double Pass Thru.

These are the two ends of the tagging sequence above — the Zero Tag and the Full Tag — so a call that walks from one tagging formation to the next starts or finishes in one of them. See Double Pass Thru for the call, and Extend for the walk between them.

How to get into a formation you have lost

If you lose your place:

  1. Look at the dancers around you and find the shape — a line, a wave, a box, a square.
  2. Find which position in it is empty or over-filled.
  3. Take your place, facing the way the shape requires.

The next call will straighten everything out. This is a normal part of dancing, not a failure.

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